Reach Records presents KB’s highly anticipated debut album: Weight & Glory. The buzz surrounding KB’s album began at Flavor Fest 2008, when Lecrae publicly praised KB and his HGA crew of their passion for Christ. After touring with Lecrae, KB was officially announced as an official Reach Records artist. Earlier this year Lecrae added that KB will be an important figure in the genre comparable the with The Ambassador. In addition to music, KB became the spokesman for the Man-Up series. KB later released his mixtape, ‘Who Is KB?’ Even though his features and singles overshadowed the mixtape, I was left wondering will KB be able to lift the weight of expectations through his music?
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Typically, when I write reviews I let the music stand for itself. I don’t read the booklets included with the music until I start writing and need to reference who produced the track, played on the track, etc. However, when I started listening to Satellite Kite, the first album by Beautiful Eulogy, I was struck with an overwhelming urge to take a look at the digital booklet included. Boy, am I glad I did. Not only are the lyrics for all the songs included in the liner notes, but there’s a brief paragraph written about each song’s origin, composition or meaning. I love getting glimpses, no matter how brief, into the creative processes that different artists go through, and the insights given in the notes allowed me to have an even better understanding of the heart that went into the making of this album.
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Trip Lee and Reach Records deliver his most anticipated album: The Good Life. In early 2011 Trip relocated to Washington, DC. During that stretch of musical silence, Trip Lee was participating in a pastoral internship. Upon hearing the news, I wondered how his new album would sound. With his previous offering, Between Two Worlds, Trip diversified his production and content. The Good Life takes us further in the life of Trip Lee.
KJ-52 is, quite possibly, Christian hip-hop’s most polarizing figure. Some may not like his music or the way he presents it, but if you’re a Christian, it’s hard to argue with his heart for proclaiming the gospel of Jesus Christ. His new album’s title, Dangerous, makes it obvious that he’s willing to take risks for that purpose.
As is fairly common on a KJ-52 album, Dangerous is a mixture of styles and techniques. Every song on the album, whether it be rap/rock (“Face Melt”), electropop (“It’s Goin’ Down”), a more traditional hip-hop sound (“Do the Bill Cosby”) or even an adult contemporary sound (“Dangerous”), every song is shot through with the KJ-52 sensibility that’s been there since 7th Avenue and Collaborations. His quirky and self-deprecating sense of humor combines with his particular style of evangelism is the basis of a familiar recipe that will please long-time fans.
It has been two years since Swoope’s last full-length album, ‘The Zoo’ - an album
that brought the artist almost instant recognition in the Christian Hip Hop community.
Swoope releases his sophomore album ‘Wake Up’ on Collision Records, boasting a
certain clarity of thought that, while present on ‘The Zoo’, has been refined like iron ore
for this release.
In 1971, the Funkadelics released Maggot Brain, an album as unity-preaching as it
was genre-bending. The record begins with legendary guitarist Eddie Hazel’s empathetic
guitar solo over a minimal acoustic scale, setting the remainder of the album into a
tailspin of confused life stories.
D-Maub is everyone's favorite feature. He has truly been gifted with the ability to body every work that he steps up to. As far as I can recall, there hasn’t been a feature spot I’ve heard that I haven’t enjoyed from this Cincinnati native. When D gets on a track he is guaranteed to overwhelm listeners with his lyrical prowess. For the sake of “total beat dismantlement” one could refer to him as the Busta Rhymes of Christian Hip-Hop, but he’s truly in a league of his own.
Careful. While music is, by definition ‘an expression of emotion’, we must not be so ignorant as to give such creative leeway to a Christian artist. And God forbid giving it to an entire GROUP of such musicians.
Enter stage left Sho Baraka, Swoope, Suzy Rock, J.R, collectively known as High Society. Their first album, Circa MMXI: The Collective’is as expansive as World Music or a Phil Collins record. In a genre that has pigeon-holed itself as extremely methodical and predictable, High Society has managed to build an album that can easily be listened to from beginning to end. In fact, it would be an injustice to oneself to skip even a single track on this album.
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